Publications
Book
Suzi Mirgani, ed., Art and Cultural Production in the Gulf Cooperation Council (London: Routledge, 2018).
State-driven investments in art and cultural production in the states of the Gulf Cooperation Council (GCC) are an important part of the search for longer-term alternatives to the longer-term unsustainability of the hydrocarbon-based economic development model. They also are an element in the search for soft power and status, and intersect with the nation-building project. The long-term planned––and unplanned––effects of such cultural initiatives include a necessary opening up to a future of unexpected and often undesired cultural encounters, whether in the classroom, the art gallery, the sports stadium, or the labor office. As states driven by a desire to raise both their regional and international status, but needing to satisfy their domestic conservative constituencies, their greatest test will be their judicious negotiating of the conflicting sociocultural elements of an increasingly globalized world. This volume offers a comprehensive multi-disciplinary analysis of this complex arena and the state of art and cultural production in these Gulf societies, through original studies on identity formation and an emerging museology; the aesthetics of censorship; the question of authenticity; cultural projects as state-driven soft power efforts; the phenomenon of public art; and artistic engagements with migrant labor communities. Read more from Routledge.
Journal (Special Issue)
Suzi Mirgani, guest ed., “Art and Cultural Production in the GCC,” CIRS Special Issue of Journal of Arabian Studies 7, no. 1 (September 2017).
In an effort to explore the evolution of the art and cultural scene in the Gulf Cooperation Council (GCC) states, and to understand the complexities of these fields, the Center for International and Regional Studies (CIRS) at Georgetown University in Qatar undertook a two-year research initiative titled “Art and Cultural Production in the GCC.” Artists, cultural administrators, curators, critics, and academics were invited to Doha to attend two separate meetings in which they debated topics of relevance to the GCC’s cultural field. The research culminated in the publication of original studies in a special issue of the Journal of Arabian Studies (August 2017). This project builds on the available literature by contributing towards furthering knowledge on the prevailing issues around art and cultural production in the Gulf.
Summary Report
“Art and Cultural Production in the GCC,” CIRS Summary Report no. 18 (Doha, Qatar: Center for International and Regional Studies, 2017).
In an effort to explore the evolution of the art and cultural scene in the Gulf Cooperation Council (GCC) states, and to understand the complexities of these fields, the Center for International and Regional Studies (CIRS) at Georgetown University in Qatar undertook a two-year research initiative titled “Art and Cultural Production in the GCC.” Artists, cultural administrators, curators, critics, and academics were invited to Doha to attend two separate meetings in which they debated topics of relevance to the GCC’s cultural field. The research culminated in the publication of original studies in a special issue of the Journal of Arabian Studies (September 2017). This project builds on the available literature by contributing towards furthering knowledge on the prevailing issues around art and cultural production in the Gulf.