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X-WR-CALNAME:Center for International and Regional Studies
X-ORIGINAL-URL:https://cirs.qatar.georgetown.edu
X-WR-CALDESC:Events for Center for International and Regional Studies
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TZID:Asia/Qatar
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Qatar:20250917T123000
DTEND;TZID=Asia/Qatar:20250917T130000
DTSTAMP:20260416T135742
CREATED:20251007T140438Z
LAST-MODIFIED:20260105T094943Z
UID:10001585-1758112200-1758114000@cirs.qatar.georgetown.edu
SUMMARY:Sudan: Past Lives/New Stories
DESCRIPTION:As part of GU-Q’s Seeing Sudan: Politics Through Art Hiwaraat Conference\, CIRS collaborated with Qatar Musuem’s General Collection department to showcase some their Sudanese jewelry collection and original archival photographs. Curated by Ala Kheir\, Nisreen Kuku\, and Tatyana Mirghani\, the exhibition is an endeavour to reconnect\, reclaim\, and reimagine the Sudanese archive. Born from a shared desire to unify a scattered archival diaspora\, the works presented here reflect the living nature of archives—not as static records\, but as continuous expressions of culture\, memory\, and identity. This exhibition is just a fragment of a much larger\, collective archive—one that holds the layered past\, contested present\, and imagined futures of Sudan. Through art\, we breathe new life into old stories\, reasserting ownership over our histories and forging new pathways forward. \n\nThe exhibition reflects on how Sudan’s past continues to shape its present. Historical images are placed alongside contemporary works to surface voices that have often been overlooked. Trade beads that once moved along regional and transcontinental routes appear here as objects of identity and ceremony. Hebron glass beads\, Venetian millefiori\, and Bohemian glass are shown for their craft and for the meanings they gathered in Sudanese life\, including protection\, social status\, and memory. \n\nA selection of traditional jewelry reveals how aesthetics\, belief\, and community practice come together. Viewers will find pendants inspired by palm frond boxes associated with blessing and protection\, drum shaped ornaments marked with a five pointed star\, and a coin based necklace that recalls the long circulation of British gold coins in Sudanese adornment. The display also introduces the shawshaw hairpin\, crafted in silver or gold with a ring\, bead\, red thread\, and delicate chains. It has been worn in late pregnancy within protective rituals and speaks to women’s roles in carrying heritage forward. Collectively\, these objects illustrate how Sudanese makers transformed materials into symbols that hold memory\, faith\, and social meaning. \n\nArchival photographs and contemporary images deepen this story. Early twentieth century pictures\, often produced through foreign lenses\, sit in dialogue with work by Sudanese photographers who document everyday gatherings\, streets\, and moments of political change. The result is a layered view of Sudan that centers community knowledge\, artistic practice\, and cultural resilience. \n\nMemories of a Changing Sudan\n\nCurated by Ala KheirGU-Q Brown Wall Photography Exhibition \n\nComplementing the library exhibition\, Memories of a Changing Sudan presents an evocative collection of photographs by Sudanese artists. On view on the GU-Q Brown Wall until October 6\, 2025\, the exhibit features intimate portraits\, street scenes\, and revolutionary moments that capture the pulse of Sudanese life\, from everyday gatherings to the historic sit-in of 2019. \n\nSudan has long been photographed through outsider perspectives\, often shaped by colonial curiosity or distance. Over the past two decades\, however\, a generation of self-taught Sudanese photographers has reframed this narrative\, documenting their communities with empathy\, immediacy\, and authenticity. Their work forms a living archive\, a collective act of witnessing that preserves the spirit of Sudan through its people\, homes\, and histories. \n\n\n\n\n\nArticle by Maryam Daud\, CIRS Administrative Coordinator
URL:https://cirs.qatar.georgetown.edu/event/sudan-past-lives-new-stories/
CATEGORIES:Sudan
ATTACH;FMTTYPE=image/png:https://cirs.qatar.georgetown.edu/wp-content/uploads/sites/3/2025/10/QM-Exhibition_Landscape-3-1-scaled.png
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BEGIN:VEVENT
DTSTART;TZID=Asia/Qatar:20250917T130000
DTEND;TZID=Asia/Qatar:20250917T140000
DTSTAMP:20260416T135742
CREATED:20250929T100630Z
LAST-MODIFIED:20260105T094914Z
UID:10001582-1758114000-1758117600@cirs.qatar.georgetown.edu
SUMMARY:Sudanese Culinary Anthropology by Omer Al Tijani 
DESCRIPTION:As part of GU-Q’s Seeing Sudan: Politics Through Art Hiwaraat Conference\, CIRS hosted a community lunch led by pharmacist-turned-chef Omer Al Tigani. The lunch talk was an exploration of how Sudanese food serves as an archive of memory\, identity\, and cultural continuity in times of upheaval. Omer will walk us through the history and origins of Sudanese cuisine\, reflecting on its role in sustaining communities\, narrating histories\, and everyday practices that carry the memory forward. He is also the author of the The Sudanese Kitchen book and “Humble Salt: Archiving the Sudanese Kitchen\,” essay which appeared in After Memory: Essays on the Sudanese Archive.
URL:https://cirs.qatar.georgetown.edu/event/sudanese-culinary-anthropology-by-omer-al-tijani/
CATEGORIES:Sudan
ATTACH;FMTTYPE=image/png:https://cirs.qatar.georgetown.edu/wp-content/uploads/sites/3/2025/09/Omers-LT.png
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